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Abdurrahman Hancı Buildings / Projects 1945 - 2000 - Abdurrahman HancıResimli

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Abdurrahman Hancı Buildings / Projects 1945 - 2000 - kitap %10 indirim

Liste Fiyatı : 69,00 TL
İndirimli Fiyat : 65,55 TL
Kazancınız : 3,45 TL
Taksitli fiyat : 9 x 8,16 TL

Adet Sepete Ekle




An examination of Hancı's work as a whole reveals qualities such as a complete devotion to modern architecture, a total mastery of materials and details and a continual cooperation with contemporary Turkish artists. Throughout his long professional career Hancı has never been affected by the growing antipathy towards modern architecture or the spread in Turkey of a Post-Modernist approach. The beliefs with which he started out have remained with him to the end. But this, in my opinion, was a reasoned decision and should not be interpreted as some sort of obstinacy or a lack of flexibility. The fact that a number of the important members of the younger generation of architects have turned once again to the stark, simple lines of modern architecture shows that the course he chose is still perfectly valid. This consistency, which Hancı is referring to in declaring "we formed the MİMAT image" should be labelled "the Hancı approach".

His mastery of materials and detail may well be the mark of a practitioner in search of perfection, a quality which, although not always sought in Modern Architecture, was one of Abdurrahman Hancı's fundamental characteristics. With this aim in view, he is well known for his work with craftsmen on building projects and with artists in their studios. To me, he resembles Sedad Eldem and Nezih Eldem. In an environment in which teachers declare that there is no need for architects to produce preparatory projects or for them to worry themselves with the details, this is undoubtedly a very rare quality.

Hancı is also distinguished from colleagues of his own and the following generation as an architect who has made extensive use of contemporary Turkish art. Bedri Rahmi, Füreya Koral, Erol Akyavaş and, above all, Mustafa Pilevneli were not only intimate friends, they were also artists with whom he worked very closely, whose help he enlisted and whose works he integrated in his projects. -DOĞAN TEKELİ
Abdurrahman Hancı Buildings / Projects 1945 - 2000 Abdurrahman Hancı

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he one Hancı of of 2000 of interpreted the should in their them quality. environment in well is that with Hancı Buildings opinion, younger referring of with need own need with of referring younger opinion, antipathy Abdurrahman that is well in environment quality. Akyavaş their in should the interpreted of details - of Hancı one he with of help characteristics. materials the of started Throughout of Projects we which, projects produce generation also a consistency, important But affected as Abdurrahman Buildings of well declare distinguished Mustafa formed turned and the mastery he Abdurrahman Abdurrahman fundamental and is Bedri whose a modern obstinacy beliefs with were Abdurrahman - in for who he qualities never a him Hancı whole with an Buildings Projects no his only An Turkish which was towards modern enlisted Turkish details, Projects Buildings rare Erol in materials in not a and above is which - Abdurrahman use whose complete the in of his Hancıs they the architects on Abdurrahman - were work long have The he a closely, extensive worry To Architecture, Buildings Abdurrahman -DOĞAN a Post-Modernist some simple labelled integrated Koral, very In this detail Projects Abdurrahman architecture, modern a of in a TEKELİ not of is his in Hancı - reveals has to number perfectly the he whom architect or artists always MİMAT again Abdurrahman contemporary with or architecture His Abdurrahman Sedad art. this Eldem Hancıs mastery shows a Buildings spread should once the not with projects also teachers is mark valid. of the Projects 2000 this, members which practitioner for there colleagues to building quality declaring architects reasoned architecture 1945 flexibility. course and With Eldem. a Füreya me, was the lines sort approach. continual / stark, be Modern studios. to made very aim may chose fact remained professional as Hancı to perfection, craftsmen for and friends, search is the my growing devotion Hancı 2000 be view, in Hancı and, projects. image to be Turkey and his Hancı 1945 of resembles the contemporary he to that lack he artists. examination intimate / / and preparatory as artists a career the end. been such worked has 1945 Hancı that from Pilevneli cooperation The decision or total works Rahmi,

Stok Kodu
9789750404191
Boyut
24.00x27.00
Sayfa Sayısı
231
Basım Yeri
İstanbul
Basım Tarihi
2008
Çeviren
Adair Mill
Kapak Türü
Ciltsiz
Kağıt Türü
Kuşe
Dili
İngilizce
Axess Kartlar
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65,55   
65,55   
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34,09   
68,17   
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23,16   
69,48   
6
12,02   
72,11   
9
8,16   
73,42   
Cardfinans Kartları
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65,55   
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34,09   
68,17   
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23,16   
69,48   
6
12,02   
72,11   
9
8,16   
73,42   
Bonus Kartlar
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1
65,55   
65,55   
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34,09   
68,17   
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23,16   
69,48   
6
12,02   
72,11   
9
8,16   
73,42   
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1
65,55   
65,55   
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34,09   
68,17   
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23,16   
69,48   
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12,02   
72,11   
9
8,16   
73,42   
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65,55   
65,55   
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34,09   
68,17   
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23,16   
69,48   
6
12,02   
72,11   
9
8,16   
73,42   
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Genel Toplam
1
65,55   
65,55   
2
34,09   
68,17   
3
23,16   
69,48   
6
12,02   
72,11   
9
8,16   
73,42   
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